Retreat! Retreat!

I've only ever been on one 'official' retreat in my life.  It was back when I was just barely a teenager.  The youth chapter of my church decided we needed to go out on a youth retreat to help us find ourselves and find God.   I remember a few things from the retreat: firstly, we were out in the middle of no where and the stars were amazing!  Secondly, when one of the popular boys fell asleep, the others wrote all over him in marker and taped a naked 'Little Red Riding Hood' doll to his hand.  It was charming.  But back to the stars.  The environment was very peaceful and exhilarating.  There was an even amount of physical exertion (hikes during the day and during the night) interspersed with quiet times (hours set aside for meditation and prayer) that it became like a nice tonic to one's sense of self.  The creative soul needs these things as well.

I want to spend a moment talking about the importance of a retreat where the only expectations put on you are the ones you've put upon yourself.  Your goals are all that matter and it is up to you to complete something, polish something, begin something new, or write a million drabbles that make you feel like a complete human being.  A writer's retreat is a place where you don't have to worry about dishes or about vacuuming or about who's coming over to dinner tonight or how your hair looks.  It's a place where you focus on your writing and on the things that awaken creativity.  An ideal retreat, in my opinion, would begin with everyone coming together for some sort of physical exercise (a swim in a nearby lake, playing the human knot game until you finally untangle, red-light/green-light, or even just a nice long hike in the outdoors).  Then we would move into something soothing like meditation (guided or personal) and go through a series of long stretches.  No matter the person's artistic preference, it is through our hands, our minds, our senses, our bodies that we receive and interpret and create and it is good to keep these things fine tuned.

We would break off then to get to work.  It would be for the individual after all.  We would make our own schedules and keep them accordingly.  I would have meal times listed - that or we would rough it and each fend for ourselves - and we could come together for fellowship and re-invigoration.  It would not be a test, competition, or race.  Everyone should come with their own goals and work toward them and revise them as they see fit.  There may be a communal activity once or twice a day (most likely something physical again and then something more mental).  At the end of how ever many days (hours) that we hold the retreat, I think there should be an opportunity to showcase a piece of what we worked so hard on.  We could have a reading or we could pass out a packet to look over.  This retreat would not have to be limited to writing, though I would suggest special emphasis in this area.

We've had a few ideas thrown around on this site for workshopping and other communal efforts to encourage ourselves and each other to continue working on our goals.  I propose a small writer's retreat as a way to generate lots of new material without the distractions of the everyday world.  There could even be a workshopping segment of the retreat to help authors who want to polish up their material.  What are some thoughts on this?  Of course  cost is something to keep in mind, but if this were to be something we could do in the summer months, it would be feasible to do a sort of camp out.  There are places that have rec rooms with electricity for us to use.  Or we could even do a two day retreat and rent out public park spaces such as the one at Kiwanis park where electricity is available.  You don't need a large group to have a retreat - it is more than practical to have a retreat of just one.  If you can't meet up with fellow writers, you can always pick up some goodies and lock yourself away in a hotel somewhere for the night.

The most important thing of all in these retreats however, is that you have privacy and can remain relatively untouched by the troubles of the real world.  This is definitely something I want to look into having.  For further information on some already established retreats visit here and here!  Or check out this guidebook: here.  These are just a few things about retreats, the internet is full of them and with such boundless reference material at our fingertips, it seems a darn shame not to take advantage of having a retreat all our own.  Or at least all on one's one.


Amanda LaFantasie (Skoora)

Guided Prompts

So I have a fun idea to get away from the blank page syndrome (a.k.a. writer's block, a.k.a. I-dunno-how-to-start-this-really-cool-idea).  Looking back at my writing history I realize that I write better (or at least more profusely) when working off a prompt.  This is why Role Play story writing is so successful.  Each time you interchange with a partner, it is essentially them giving you a prompt.  For any of you out there that might not know what Role Play (RP) writing is, it is just as the name suggests.  You write (in third person) the experiences and thoughts of a single character performing an act or a series of acts and then you have a writing partner have their character react to what you wrote.  It's a fun back and forth that is not only great writing practice but wonderful at helping you build and develop characters.  One of the reason's it's so fun and so successful is because you are kept wondering what your partner will write because that is your next prompt.

Back when Yahoo!360 was an active site (may it rest in peace), I used to write a few short segments based on prompts I found on sites like Writer's Digest.  One such story was about a person receiving a text from an unknown number.  I pumped out a generous amount for such a tiny prompt and had thoughts to even take it further.  Now, when I say 'prompt' it doesn't necessarily have to be 'It was a dark and stormy night when Mrs. Winters went outside to look for Pooky and found...' like that.  I mean even a self prompt like 'what would I do if I won the lottery.'  Things like that to get the juices going.  And this brings me to the point of this blog post: guided prompts.  If you have an idea and you want to write about it but aren't sure how to get started, try prompting yourself into scenes.

I have an android piece that I am itching to work on and so far I have about five different beginnings, all of which I despise and I know that it's because I'm putting too much pressure on myself to make it 'perfect' and I'm not letting myself just relax and write (which is kind of the point of writing, right?).  So what I'm going to do is give myself specific prompts.

Idea: Dystopian Android Tribe

Prompt: Leader of Android Tribe comes across a dead human.  What does he do?

Prompt: Androids find a baby and attempt to raise it.

Prompt: Androids think of themselves as 'living,' how do they react when someone tells them they have no value and are just pieces of machinery?

Prompt: Show the androids breaking or following the three laws of Robotics.

Prompt: Do androids really dream of electric sheep?

Prompt: It was a dark and stormy night... wait... no, I meant: one of the androids falls into disrepair, how do the androids react to the 'death' of one of their own?

These are all scenes that could potentially work themselves into the book, but the real purpose of these prompts is to get me somewhere in character and plot development and, ultimately, to get words on the page.  I will most likely be answering some of these tomorrow and posting them on my Gurgle Burp blog.   I know that the idea as I've written it is very vague (trust me I do have a bit more of a plan in mind than just that), but if you have any prompts for that idea, please post them and I will attempt to answer them as well!  Prompts are fun, dang it.  They shouldn't just be used to generate ideas, they can also be employed to fuel ideas that are already hatched and eager for development.

Amanda LaFantasie (Skoora) © April 2013

Grammar Corner: Forget Grammar

That's what the editor is for! Not to mention the second draft.

Now this grammar suggestion, this one is quite controversial in the writing world, and has been a point of contention between authors and the different schools of writing. However, as far as I am concerned this is one of the most important rules. Allow me to explain.

Grammar is a necessary and innate part of our culture as a writer. This we know. The key word in that phrase is innate. If we want to call ourselves writers, something we are already quite familiar with is the English language (or any language in which you are writing in), and how to use it. We have a lot of practice in the realm of grammar just out of practice alone. We know simple sentences have a noun, verb, and predicate, and end in periods, questions end in question marks, and exclamation marks can be an eyesore when there are too many in unison. We get this and our hands and brain know how to deal with it naturally.

So what do I mean when I say forget grammar?

Simple.

I mean literally, forget it. Not in the sense where you completely disregard it, or go out of your way to make every sentence you write a grammatical fallacy. No, nothing like that. What I mean is simple. Do not let grammar dictate your writing. Do not spend hours and hours letting the sentence structure of one section of your prose keep you stuck for hours because it's just not right. We're all guilty of this, I know I am. When a sentence doesn't flow right, we fixate. Every writer is a little bit OCD in my opinion, and like any OCD it starts to interfere not only with the writing, but the life of the writer.

So forget it.

Now this is easier said than done of course, as is anything with writing. Because we've been trained, no conditioned from a very young age to be very attentive to grammar and grammatical fallacies. We've been taught to worship the academic essay and the 9 sentence structure.

Stop! Right now! Just throw that all out of your mind, because if you're here, you are writing for pleasure, you are writing because it's something you enjoy, because you're embracing something deeper than the academic essay. Any manual can teach you how to write a good research paper, but no manual in the world can tell you how to properly break all the rules and become a New York Times Bestseller.

One of the greatest things about being a writer is the freedom we are given. When we let go of the mental constraints that grammar puts on us, the need to make sure we always use the right word at the right time, the right, right or write, then or than, or even where we put a comma in a sentence. Constantly watching for little mistakes that are easy to spot and edit later, we are inhibiting our natural writing process, and inhibiting our ability to write all together.

And sentence structure, that's another matter all together. We are given all these rules that tell us how to write a sentence, but those rules often lead to dry and frankly boring commentary that wouldn't be fit in a 'How-To' manual. So forget about those rules. Writing is an art form, and one of the greatest achievements an artist can make evolving the art. Many authors have adopted a lyrical or poetic approach to their writing, replacing periods for commas, or quotations with never underestimating the intelligence of the reader. Play with your writing, build on your writing, and worry about grammar later.

Those little mistakes that everyone nags and nitpicks about, those can be edited in the future. But losing your story because you're not able to focus because all the rules are holding you down, that can sometimes be devastating. So just write, and enjoy what you're writing. Grammar, sentence structure, rules; all of those can wait until later.



Note: This is merely the thoughts and ideal expressed by me personally and may not be shared with other contributors on this blog. And remember, editors are there to help you.

Prompt - Stanza Story

Sometimes professors have the coolest prompts.

Last week our class was assigned a prompt to write a story based off of a stanza from a famous poem.  So I want to challenge you all to do the same.  The poem we were provided was, "Resurrection of the Dust," by John McKernan, because of copyright issues, I will not be using this poem, but rather a classical work, that has no risk of Copyright infringement. So for this prompt I shall use "The Phoenix and the Turtle," by William Shakespeare.

The purpose of this poem is to choose one stanza. That stanza will be the beginning of your story.  You should challenge yourself by limiting your story to one or two pages.  Practice quick and concise writing, however, if you go over, that is okay too!

The Phoenix and the Turtle

By William Shakespeare

Retrieved from here.

The Phoenix and the Turtle

Let the bird of loudest lay

On the sole Arabian tree,

Herald sad and trumpet be,

To whose sound chaste wings obey.

But thou shrieking harbinger,

Foul precurrer of the fiend,

Augur of the fever's end,

To this troop come thou not near.

From this session interdict

Every fowl of tyrant wing

Save the eagle, feather'd king:

Keep the obsequy so strict.

Let the priest in surplice white

That defunctive music can,

Be the death-divining swan,

Lest the requiem lack his right.

And thou, treble-dated crow,

That thy sable gender mak'st

With the breath thou giv'st and tak'st,

'Mongst our mourners shalt thou go.

Here the anthem doth commence:—

Love and constancy is dead;

Phoenix and the turtle fled

In a mutual flame from hence.

So they loved, as love in twain

Had the essence but in one;

Two distincts, division none;

Number there in love was slain.

Hearts remote, yet not asunder;

Distance, and no space was seen

'Twixt the turtle and his queen:

But in them it were a wonder.

So between them love did shine,

That the turtle saw his right

Flaming in the phoenix' sight;

Either was the other's mine.

Property was thus appall'd,

That the self was not the same;

Single nature's double name

Neither two nor one was call'd.

Reason, in itself confounded,

Saw division grow together;

To themselves yet either neither;

Simple were so well compounded,

That it cried, 'How true a twain

Seemeth this concordant one!

Love hath reason, reason none

If what parts can so remain.'

Whereupon it made this threne

To the phoenix and the dove,

Co-supremes and stars of love,

As chorus to their tragic scene.

THRENOS

BEAUTY, truth, and rarity,

Grace in all simplicity,

Here enclosed in cinders lie.

Death is now the phoenix' nest;

And the turtle's loyal breast

To eternity doth rest,

Leaving no posterity:

'Twas not their infirmity,

It was married chastity.

Truth may seem, but cannot be;

Beauty brag, but 'tis not she;

Truth and beauty buried be.

To this urn let those repair

That are either true or fair;

For these dead birds sigh a prayer. 

Obviously a problem arises in that this is not a modern poem, so your story may take the feel of this poem. Feel free to use the stanza in quote form.  Use it for characterization, whatever purpose you need.  Just have fun with it. If this poem is too difficult, choose a different one. Just keep in mind copyright laws when you do so. 

~Beth

Natalie Goldberg

Natalie Goldberg--if you have ever picked up a 'how to write' book, you have come across this name millions of times. Natalie Goldberg is one of the top gurus for workshops, crafting writing, and everything else that is part of the creative generating process.

When I attended Deb McLeod's Novel Boot Camp Seminar a few weeks ago, I learned that Natalie Goldberg is actually the founder of free writing (the activity of placing pen to paper for a solid time limit without worry of logic or grammar). Also, I learned that clustering (or webbing) came out around the same time in the 80's. Oddly enough, it never occurred to me that these techniques wouldn't have existed before-- that someone, some generation, had to come up with these ideas.

In any case, the next few weeks of prompts will be coming from Natalie Goldberg's  Wild Mind: Living the Writer's  Life and Writing Down the Bones: Freeing the Writer Within.