Wednesday, July 24, 2013

Reading is the Thing

I have read three books this month and will read one or two more before the calendar ticks over into August.  Reading is part of my homework for the MFA program and as a result it has helped me build up my repertoire of devoured fiction.  Each and every day I am reminded via absolutely priceless lines of verse and tear-jerking emotional dialogue and action that reading truly is the most essential building block of a writer and also the most useful tool in a writer's work box.  

What are some books that you (contributors and readers alike) have read recently?  Take some time to think about what parts of the book inspire, appall, upset, or confuse you.  Think about why and also think about how the author has accomplished these this - or not accomplished it as well as you would like.  Reading and thinking about what you've read are the two cornerstones in writing.  

Here are some books I recommend if you are in need of good reading material.  Please, please, please feel free to add to this list.  I would like to make a large posting with a composite 'must read' list as recommended by the contributor's of Detangled Writers!
  • Grendel by John Gardner
  • Battle Royale by Koushun Takami 
  • Drowned Cities by Paolo Bacigalupi
  • The Road by Cormac McCarthy
  • Ender's Game by Orson Scott Card

Monday, July 22, 2013

A Word is Only the Beginning of the End

This is a topic I might have already touched upon, however I wanted to revisit it. If I have not mentioned it on Detangled Writers, or if I have and you just don't want to scroll a dozen pages back, I will start by asking you all a question: What does it take to make a story? Not a good story, not an amazing story, or even a bad story. Just a story, the rest can come after; and why am I asking you this? Because this is a topic that is both intriguing to me, while being irksome at once.

We have many expectations for a story, some of them very shallow. I'll name a few, a story must have plot, and it must be reasonable, that's one expectation - or often considered requirement. A story must have characters, and those characters need to serve a purpose. A story must have meaning, not necessarily a lesson, but meaning that relays to the reader. And that leads to the most shallow of expectations (in my opinion), a story must be written - or oral, but it must be made of words.

This expectation has often baffled me, as a person who can sit and stare at a piece of artwork, or listen to a classical work of art, and wonder and imagine and build from them. Yet many people are very adamant that such things as music or artwork are not stories. Do you believe this is true? In one of my writing courses we had a very heated debate on what a story was, and most people attested that no, a story had to be a full manuscript, but it could not be a picture or any form of artwork.

I believe this to be a very narrow view, and as a writer, as an artist, as someone who loves listening to music, I wanted to share this idea with you all. I was one of three people that contested this view of storytelling, and here is why. All of my stories, start with pictures, start with a feeling that I'm having inside, because that's my outlet, and so when I was told that art was not a form of storytelling I was quite offended, because this is what I believe a story is.

Anything that can get your imagination invested. As simple as that. I believe that if you look at a picture, and you ask 'why?' there is a story there, because as soon as you ask why, your mind starts building that story for itself. The artist who painted the picture, there was an investment in the presentation, there was a thought, and as an artist myself, there is a story, at least for me, even if it's missed by everyone else.

Now I know that's a very broad view, and can be equally as dangerous as the narrow view of story, so I'll condense it into a smaller frame of idea. Native Americans and Ancient Egyptians often used pictures to depict their legends where words and language were not enough. Would we deny that these are stories?

Finally the definition of story that really bothered me was that a story must have length:

"For sale, baby shoes. Never worn."
- Ernest Hemingway

This is the story that Hemingway considered his very finest in it's power to invoke a reaction. He believed this to be his greatest work of all time, and many people say that this is not a story at all. They say it's a piece of prose, but that it lacks the length and meaning of a story. It lacks the meaning? Do you believe this is true? "For sale, baby shoes. Never worn." This lacks meaning? ...Never worn; why? Why were these shoes never worn. Considering Hemingway's time, it leads to the assumption that the child died, if the child didn't die, there was something amiss with the shoes, but either way, there is a distinct feeling of loss - at least to me.

Because of the contention against this piece, a form of writing known as flash-fiction was created, and in fact my limited research on the topic genuinely suggests that this is the very reason flash-fiction was created at all. However flash-fiction doesn't necessarily make it a story. I admit I don't believe this is probably Hemingway's best work, but the fact that it resounded so strongly with him, and that he believed it to be his best, doesn't that investment in and of itself make it a story? Of course Hemingway knows much more than any of us behind the true meaning of the story, because perhaps the shoes were just too small for the baby, we don't know, it leaves us to wonder though.

So I want to ask all of you, what do you think qualifies as a story? Do you think it's an underlying meaning, or does it have to have words and length? Do pictures and songs count? Or is it what comes after that counts?



Sunday, July 14, 2013

It feels like my brain is corroding slowly but surely, especially in the areas where I'm artistically inclined. It's kind of devastating, and so I've been really struggling to figure out what to write, both personally, but also for this blog. I've started so many blog posts and then just had to walk away because I've been so overwhelmed. I'm trying to remedy that now, by discussing some of the hardships that comes with being a writer, and how sometimes 'writer's block' is very real, and to people who depend on artistic expression, very devastating.

I've had a few classmates and associates in the past claim that 'writer's block' is a fallacy, and that there is no such thing as not being able to write anything. Perhaps in that regard they are correct, you can always write something, but what happens when you don't feel what you write, or when you reread it, it is a horror to behold? I've started to read again, slowly but surely, and tried drawing as well to counteract my inability to write, with little success. I've found that my artwork is suffering as well.

So I am at the end of my rope and would like to know how all of you deal with writer's block. How do you combat it, are there any techniques, philosophies, lessons you can share with me? I'd really appreciate it, and as this is a community for writing I thought I'd present this, because certainly I am not the only one who suffers from this. So this can be used as a source to help encourage other writers on how to combat a full imagination shut down.





Tuesday, June 25, 2013

Camp National Novel Writer's Month.

It's that time again! Nanowrimo is doing another Camp Nanowrimo for the month of July. I have already signed up and am excited to get started. It's strange, I kind of want to start ahead of time but that wouldn't really count toward the word count for the month of July. Besides, I still have to get all my notes in order so I can attack July with a fury! Rawr!

So, who is going to join me? 

Blurb Writing

One of the hardest things for me to write is the blurb section for the back of a book, or just an all around description for the novel in general.

I tend to write long novels. Short stories never remain short. I have trouble writing poetry of any kind because of my "need" to expound. When it comes to the little two or three paragraph condensed explanation of what is going to happen in the novel, I have no clue what to write. I write about a mass of characters of various horror/fantasy genres. I also have many things going on in my novels - battles, training, sexy times, eating, general goofiness. How does a person condense 500 plus pages of hard work into three little blurbs?

I get this way when I try to explain what certain novels are about. In my head the explanation sounds good, but trying to say it out loud makes everything convoluted. There is a reason that I WRITE.

Does anyone else have this problem? How do you go about whittling down your work into the barest terms?

An Update & Possible Genre Change

Tomorrow I leave for my second residency at the Solstice MFA program in Boston.  My first time around left me with a whirlwind of ideas as well as a fantastic bunch of writers to count as friends and comrades.  This time I head back with one semester under my belt, a yearning to catch up with my Boston buddies, and a strong desire to learn as much as I can.

For the first semester I read twelve books and wrote around fifty pages (more than that but fifty semi polished pages) for my Dystopian novel.  This novel does have the potential of being marketed as YA but I'm not going to push that at all.  However, this time around, I have a list of several YA books that I want to read and I am suddenly inspired to work on a very clear cut YA story.  I actually wrote out this story in screenplay format several years back.  I never finished the screenplay but I did chart out the entire ending up to the 'FADE OUT' via long notes.  One reason I'm wanting to rekindle this story is because of the strong female lead (and I don't write many females even though I am one), and another reason is because it's already plotted.  This plot may change here and there but the fact that it is plotted will help me write out scene after scene and also give me a chance to really tackle writing a synopsis. 

In order to work on this however, I would need to change my major from Fiction to Young Adult Fiction.  From what I understand this is totally doable and that it's only in my third semester that I have to decide on what genre to graduate out of - some people switch in their second semester and never go back, but I think I will return to Fiction a better person for having honed another side of my literary interests.  


Amanda LaFantasie (Skoora) 

Monday, June 17, 2013

Vocab: Ostentatious


Definition of OSTENTATIOUS
: marked by or fond of conspicuous or vainglorious and sometimes pretentious display
— os·ten·ta·tious·ly adverb
— os·ten·ta·tious·ness noun
Synonyms
flamboyant, flaring, flashy, garish, glitzy, loud, noisy,gaudy, razzle-dazzle, splashy, swank (or swanky)